Adaptive Ambiance System, a technique that realistically reproduces the acoustics of cathedrals from different locations. Do you prefer the sound of the organist on the bench? Then the original sound dominates and you can hear the wind blowing through the pipes. If you prefer to listen from the back of the church, just press a button. In the back pew of the cathedral, the sound of the organ and the articulation of your playing blend in with the acoustics.
This technique works in conjunction with the LI
The Vivaldi 350 will get your heart racing. When you register with the fifty-seven stops of this three-manual organ, you will quickly discover how comfortable you are sitting. Everything is at your fingertips thanks to the registers grouped in families, arranged in an arc. You, the organist, occupy a central position. Both literally and figuratively. The console has been ergonomically designed.
Your registration is ready. You stand up and start the first chords. The result lives up to your expectations. The reverb takes you away. The thirty-two foot Bombarde of the Pedal, the crystalline mixture of the Great Organ, the light Nasard of the Positif, it is as if all the registers were speaking directly to you. And they kind of do. The excellent quality of the full-range tweeters, subtly integrated into the console, guarantee a very pure reproduction of the sounds of the pipe organ, respecting the articulation of the playing and the sound colours of the instrument.
About the Vivaldi 350
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Specifications
Layout
Vivaldi 350
The Vivaldi is not just a simple salon organ. Of course, Johannus is never satisfied with offering simple organs. However, the Vivaldi range has its own special place. These organs are simply the jewels in the crown of the Johannus collection, offering many possibilities to organists who do not only want to study.
The Vivaldi 150, 250 or 350 is the perfect companion for the organist who wants to play in his living room. This organ is an extraordinary instrument because of its complete layout and its incomparable amplification. An instrument that one becomes attached to. An organ that you secretly fall in love with.
Love at first sight
You sit in the pew of the two-manual Vivaldi 150 with its thirty-four stops. You select a Bourdon bouché on the Great Organ and a Nasard on the Récit to play a Cantus firmus. The charm will work from the first chord. What a magnificent sound! You will soon discover that the Vivaldi has many other surprises in store for you. You can choose between romantic, symphonic, baroque and historical stops. This means that you can fine-tune your registration with great precision, depending on how you feel when you play. If that is not enough, you can choose between three variations per stop. In other words, you have twelve unique organs at your disposal.
The Vivaldi 250 is a more exciting organ, because this salon organ has a lot to offer! With its two manuals, it looks very similar to its brother, but is far superior in terms of the composition of the stops. The forty-seven registers give you a very wide choice, especially now that you know that you can combine them with four different organ types and three variations.
The organist takes centre stage
The Vivaldi 350 will make your heart skip a beat. When you register with the fifty-seven stops of this three-manual organ, you will quickly discover how comfortable you are sitting. Everything is at your fingertips thanks to the registers grouped in families, arranged in an arc. You, the organist, occupy a central position. Both literally and figuratively. The console has been ergonomically designed.
Your registration is ready. You stand up and start the first chords. The result lives up to your expectations. The reverb takes you away. The thirty-two foot Bombarde of the Pedal, the crystalline mixture of the Great Organ, the light Nasard of the Positif, it is as if all the registers were speaking directly to you. And they kind of do. The excellent quality of the full-range tweeters, subtly integrated into the console, guarantee a pure reproduction of the pipe organ sound, respecting the articulation of the playing and the sound colours of the instrument.
The sound of famous pipe organs
What you hear are real pipe organs. Thanks to the integrated real-time sampling system, your Vivaldi reproduces the sound of famous pipe organs. The digital recordings reproduce the original sound of the organ pipes.
This is further enhanced by the Adaptive Ambiance System, a technique that realistically reproduces the acoustics of cathedrals from different locations. Do you prefer the sound of the organist on the bench? Then the original sound dominates and you can hear the wind blowing through the pipes. If you prefer to listen from the back of the church, just press a button. In the back pew of the cathedral, the sound of the organ and the articulation of your playing blend in with the acoustics.
This technique works in conjunction with the LIVEreverb system, so you have twelve realistic acoustics at your disposal. You can easily go from the charming St. Salvius church in Limbricht in the Netherlands to La Grand-Combe in the south of France. And this without leaving the bench of your organ. And if you want to go beyond the limits of the classical pipe organ, the Vivaldi also offers a range of optional solo and orchestral instrument registers, such as strings, trumpet, piano, harp and gospel organ.
The Vivaldi 150, 250 and 350 models meet all the musical needs of the demanding organist. The Vivaldi is a tried and tested classic in all its facets. But in a new version. This is the organ that should be in your living room.
